Reviewed · BRUSSELS TOURS
Brussels: 2 hours Private Walking Tour of the Comics Walls
Brussels turns its comic-book heritage into public art. On this private two-hour walk, you follow about 10 large murals through the historic center, meeting characters such as Tintin, Yoko Tsuno, XIII, and Le Jeune Albert along the way. It is part street-art stroll, part city orientation, and part lesson in the Belgian comic tradition.
I like the personal format, especially the way guides such as Eric and David adapt the conversation to your interests. I also like that the tour asks you to study and interpret a cartoon before the guide explains it, rather than simply pointing at painted walls. The main drawback is simple: $101 per person is a serious price for two hours, so this makes the most sense if you care about comics or want a private introduction to central Brussels.
Key points about the Brussels Comics Walls walk

- About 10 murals in two hours: See major Belgian comic figures in public spaces rather than behind glass.
- A private route through central Brussels: The walk connects comic art with the streets and customs of the historic center.
- Tintin is part of a wider story: The tour also covers Yoko Tsuno, XIII, Ric Hochet, Le Jeune Albert, L’élève Ducobu, and others.
- Guides add local color: Eric and David are named examples of guides who bring in city anecdotes and adjust the discussion to your interests.
- Meet at La Fleur en papier doré: The starting point is 55 Rue des Alexiens, with the walk ending on Rue des Six Jetons.
- Useful flexible booking terms: You can cancel up to 24 hours ahead for a full refund and reserve without paying immediately.
Why Brussels puts comics on its walls

Brussels is closely tied to the French-Belgian comic tradition, known locally as bande dessinée, or BD. Major authors and publishing houses grew out of the city, helping make comics part of Belgian cultural life rather than a niche hobby.
That background matters because the murals are not random decoration. They turn the city into an open-air gallery where familiar characters appear alongside ordinary streets, building walls, and neighborhood corners. You get a quick look at how Belgium treats comics as a serious art form with a strong public presence.
The experience also gives you a different way to see central Brussels. Instead of moving from one major sight to another, you follow visual clues across the city. A wall featuring Tintin may catch your eye first, but the guide can explain how that character fits into a larger family of Belgian and Franco-Belgian comics.
I would not book this only because you recognize Tintin. The tour covers more than 10 comic series, so it suits you best if you enjoy finding out how different characters, artists, and styles share the same city.
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Starting at Rue des Alexiens and La Fleur en papier doré

The walk begins at 55 Rue des Alexiens. You are asked to wait in front of La Fleur en papier doré, a clear landmark that makes the meeting point easier to identify than a bare street address.
The first mural is on the same street. That gives the tour a clean start: you meet the guide, look at a comic image almost at once, and begin walking with a visual subject already in front of you.
This first stop is also where the guide’s approach matters. One especially good feature of the tour is the invitation to interpret the cartoon before hearing the explanation. You can look at the characters, setting, and action, then offer your reading. The guide follows with background on the comic, its subject, and its connection to Brussels.
That method makes the walk feel more like a conversation than a string of facts. It also works for people who know very little about Belgian comics. You do not need to arrive with a list of titles or a childhood attachment to Tintin.
Following ten murals through the historic center

From the starting point, the route moves through Brussels’ historic center and several neighborhoods. The exact sequence beyond the first mural is not specified, so you should think of this as a guided walking route rather than a fixed checklist of named streets.
The murals are the main attractions, but the spaces between them matter. You see how comic images fit into the city’s older streets and daily surroundings. Your guide also talks about Brussels, its customs, and local anecdotes, giving the walk a broader purpose than simply photographing painted walls.
The tour covers around 10 murals in two hours. That is enough time to see a good range without turning the walk into a rushed hunt for every possible comic panel. At roughly 12 minutes per mural if the time were divided evenly, the pace should allow for explanation, questions, and walking between stops. In practice, some walls will receive more attention than others.
The route is best treated as a guided introduction. If you want to study every mural for a long time or take carefully composed photographs, two hours may feel short. If you want a well-shaped overview of Brussels’ comic art, the timing is more useful.
Tintin, Yoko Tsuno, and the wider comic cast

Tintin is the obvious draw for many people, and the tour includes him. Still, the wider list is what gives the experience its value.
Yoko Tsuno brings a different tone and visual identity. XIII and Ric Hochet add more titles to the mystery and adventure side of the route. Le Jeune Albert and L’élève Ducobu show that the city’s comic culture is not limited to one famous reporter and his dog.
You will learn about the authors and the subjects of the comics, though the available details do not name every artist or explain the order in which each mural appears. That is worth keeping in mind if you are hoping for a specialist art lecture on one particular creator. This is a broad, accessible walk across several series.
The range also makes the experience practical for mixed-interest groups. One person can come for Tintin, another for street art, and another for Brussels itself. The guide can adjust the conversation, as Eric did for a group whose interests shaped the route and discussion.
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What the guide adds to painted walls

A mural is easy to find, but harder to understand without context. Characters may be obvious to a comic fan and completely unfamiliar to someone else. The guide’s job is to connect the image to its story, creator, style, and place in Belgian publishing.
The strongest format here is interactive. You first look at the cartoon and interpret it, then the guide explains what you are seeing. That gives you a reason to pause instead of treating each wall as a quick photo stop.
The guides named in the supplied information include Eric and David. Eric is noted for adding anecdotes about Brussels and local customs, not just describing the murals. David is noted for making the conversation personal and asking the group to interpret the cartoon before he supplied the explanation.
Guides can change from one departure to another, so you should not assume that Eric or David will lead your walk. Still, their approach shows what to look for: a good guide should connect the murals to the city and respond to your questions, not simply recite titles.
The language listed for the tour is English. That makes the experience straightforward for English-speaking visitors, though no other language option is specified.
The route’s final stretch to Rue des Six Jetons

The walk finishes at Rue des Six Jetons, 1000 Bruxelles. Ending there rather than returning to the starting point means you should plan your next move from the finish, not from Rue des Alexiens.
That point-to-point format can be useful if you are already exploring central Brussels. You can continue on foot from the final street, though the information provided does not specify nearby sights, restaurants, or transit connections. If you have a tight schedule, allow time after the official two hours to orient yourself.
The route’s ending also reinforces the tour’s neighborhood focus. You are not simply standing in one square while the guide presents a talk. You cross parts of Brussels and finish in a different central location, having seen how the comic murals are spread through the city.
Is $101 per person good value?

At $101 per person, this is not a budget activity. The value depends heavily on how much you want a private guide and how seriously you take the comic theme.
For a comic enthusiast, the price buys more than a self-guided list of mural locations. You get explanations of more than 10 works, background on the Belgian comic movement, a walk through the historic center, and the chance to shape the conversation around your interests.
For someone mainly interested in general sightseeing, the calculation is less favorable. Brussels has plenty of attractive streets and major sights you can explore without a paid guide. You are paying for interpretation, structure, and personal attention, not for entry to a museum or a special building.
The private format is important to the value. A personal discussion can be more useful than a large group presentation, especially if you already know some comics and want to ask detailed questions. It also helps if your group includes people with different levels of interest.
The tour has a rating of 4.8 from 13 reviews, which supports the idea that the guide’s manner is a major part of the experience. I would still focus your booking decision on the subject itself. A strong guide cannot turn a comic mural walk into the right choice if comics are not on your list.
Who should book this walk?

I would recommend it most strongly to:
- Tintin fans who want to place the character in Brussels’ wider comic culture
- Readers interested in Belgian and French-Belgian comics
- Families or friends who enjoy discussing pictures and stories together
- First-time visitors who want a city walk with a clear theme
- Art and street-art fans who prefer public walls to formal galleries
- Repeat visitors looking for a different way to see central Brussels
You may want to skip it if you dislike guided walks, have less than two hours available, or want a general tour of every major Brussels landmark. The route focuses on murals, comic history, anecdotes, and the historic center. It is not presented as a broad survey of the entire city.
Comfortable walking shoes are sensible because the experience is on foot through several streets. The supplied information does not state the total distance, accessibility details, or the exact number of people allowed in each private booking, so ask the provider if those points affect your plans.
Booking flexibility and practical details

The tour lasts two hours and includes a live English-speaking guide. You meet at 55 Rue des Alexiens, in front of La Fleur en papier doré, and finish at Rue des Six Jetons.
You can cancel up to 24 hours before the activity for a full refund. The reserve-now, pay-later option can help if you are building a Brussels itinerary before every detail is settled. Starting times vary, so check availability for the date you want.
Since this is a private walking tour, arrive ready to talk and look closely. The format works best when you participate. Study each mural, make your own guess about the scene, and then ask the guide about the character or author.
Should you book the Brussels Comics Walls tour?
Book it if you want a focused, personal introduction to Brussels through Tintin and the wider world of Belgian comics. The best features are the interactive interpretation of each cartoon, the city anecdotes, and the way the route links public art with the historic center.
At $101 per person, I would not call it an automatic bargain. It becomes good value for a private group that wants a specialist theme and a conversational guide, especially if Eric or David’s style is available. If you only want to see a few murals and take pictures, a self-guided outing will cost less.
For comic fans, though, this is a smart way to see Brussels with a story running through the streets. You leave with more than a set of mural photographs. You get a clearer idea of why this city is so closely tied to the comic form.
FAQ
How long is the Brussels Comics Walls tour?
The walking tour lasts two hours.
Where does the tour begin?
It begins at 55 Rue des Alexiens in Brussels. You should wait in front of La Fleur en papier doré.
Where does the tour finish?
The tour finishes at Rue des Six Jetons, 1000 Bruxelles, Belgique.
Which comics are included?
The walk includes murals connected with Tintin, Yoko Tsuno, XIII, Ric Hochet, Le Jeune Albert, L’élève Ducobu, and other comic series. You will learn about more than 10 comics during the tour.
What language is the tour offered in?
The tour is offered in English with a live English-speaking guide.
Is a guide included in the price?
Yes. A guide is included.
Can I cancel for a refund?
Yes. You can cancel up to 24 hours in advance for a full refund. You can also reserve now and pay later, according to the booking terms provided.
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